Kinney Drugs "Caregiver/Ready Scripts" :30 TV

When you get a rather boilerplate, generic-sounding piece of copy like this spot, look for moments where you can inject your personal opinion and point-of-view. This will make or break your read! Those first FOUR sentences of this spot are four platitudes, all in a row. Platitudes are sentiments that nobody in the audience should disagree with – which is great, because you always want your listener to say "yes" – but the platitude has no power if it's delivered as anything but an an authentic, honest opinion. A line like "With my busy life, it can be hard taking care of everyone" absolutely MUST be delivered as an honest admission, or the audience will be saying "Give me a break!" Heather delivers an excellent read starting at 7:44. Compare this to her first couple of reads, and hear how much more convincing she is, when she doesn't sound like she's trying to convince anyone.

My mom's always been there, to take care of me. She's never let me down. When her health started changing, I wanted to make sure she always had her medications. With my busy life, it can be hard taking care of everyone. So I enrolled Mom in ReadyScripts, from Kinney Drugs. Our Kinney pharmacist refills her prescriptions automatically, so she doesn't forget, or have to wait. Kinney will even deliver them for free. Now, I take care of Mom, And Kinney takes care of us both. Kinney Drugs.

Wolf Brand Chili :30 TV

Because the vast majority of voiceover work out there doesn't require character voices, I typically avoid training my students on any spot that calls for a dialect or accent. I'll make an exception for Wolf Brand Chili. Although I did applaud Mike's choice to do not an out-and-out caricature Texan, but a voice that was really just a slight twist on the Mike we know and love. Mike's reads felt a bit rushed as he tried to shoehorn all this imagery-heavy copy into 30 seconds, but 4:07 he delivered a read that was at a much better pace. This led to my discussion at 4:45 about how never to deliver an audition that sounds rushed, unless the agent specifically tells you that it needs to come in under :30 or :60. Script-wise, this copy is about as formulaic as they come. You've gotta love the non sequitur when we go from talking about broad concepts of "work is work" and "play is play" to something as mundane as a mass-manufactured can of chili. On this spot, we "shot out" the MKH 416T shotgun microphone, vs. the Neumann U87ai large-diaphragm condenser. Both sound excellent...which do you prefer? The U87 sounds more natural and less colored to my ear, but the 416 is wonderfully punchy. Love it!

Deep in the heart of Texas, everything's real. Our work is work. Our play is play. And every night, the stars come out. Especially on Fridays. So it stands to reason that chili's gotta be real too. That's Wolf Brand Chili. A Lone Star favorite since 1895. Bold, fiesty, seasoned up like it was born with spurs on. So whether's it's mixed in, heaped on, or straight up, you're getting the genuine article. Wolf Brand Chili. Open up a big old can of Texas.

Disney Parks :30 TV Campaign

There are two announcer VOs on this campaign. The female (AVO 1) gets most of the imagery to play with, while the male (AVO 2) is doing most of the heavy lifting on the escalation in the second beat.

Disney Parks "Something for Everyone" :30 TV AVO 1: What will your Disney memory be? Will it be squeals and giggles, or screams and shouts? Evil queens, or mischievous grandpas? A moment you'll always remember, or a vacation you'll never forget? AVO 2: You can make your Disney memories happen right now At a price that's right for you. Like 7-day vacations starting as low as $68 dollars a day per person, for a family of four. AVO 1: So let the memories begin At the place where dreams come true.

Heather tried the second spot, and got a little tripped up on the last line. When you get stuck on your tenth take of a line, step back and ask yourself, What am I talking about? Picture something...there's obviously plenty to choose from, imagery-wise, when your topic is Disney World, of all things. And Heather scores a nice little breakthrough at the end when she figures this out.

Disney Parks "No Worries" :30 TV AVO 1: What will your Disney memory be? Will it be smiles that magically appear...or bags that magically appear? Meeting an enchanted princess, or being treated like one? Doing it all? Or doing absolutely nothing? AVO 2: You can make your Disney memories happen right now With room, ticket, and a dining plan that saves you money All for as low as $93 dollars a day per person, for 7 days. AVO 1: So let the memories begin At the place where dreams come true.

Home Depot "Small Project Inspiration" :30 TV

The top beat of this script, with its three questions, throws a bit of an acting curveball. You need to sound impressed and genuinely curious without sliding over into the realm of incredulity. The subtext needs to be "Wow, that's cool" as opposed to "What the F are you trying to do?" Your task here is to make it sound like you think it's a positive thing! This is a great exercise. How many different ways can you deliver those opening lines? Come up with a mental image for whatever that "idea" is. I imagined my neighbors painting a mural on the side of their garage. The real spot shows up plenty of projects, but when you're auditioning to do the VO on this spot, you won't have that TV screen to help you...so come up with some impressive creative projects on your own mental TV screen.

Where'd you get that idea? How'd you learn to do that? What'd you use? Every project we finish comes with a story built in. It's how our rough ideas become . . . "You did that yourself?" So when we can save more on the projects that let us fix, make, and do more, that just makes the stories even better. More saving. More doing. That's the power of the Home Depot.